May
21

Pt 13/15 New Orleans Wake Up Call- Frances Cress Welsing

RESTORING THE FORGOTTEN HERITAGE TO THE FORGOTTEN PEOPLE www.hebrewisraelites.org PLAYLIST ADDED.CHECK MY PROFILE PAGE. New Orleans Wake Up Call- Frances Cress Welsing lectures on the katrina “refugees” and the connection to white supremacy.
Video Rating: 5 / 5

May
20

Bo Dollis And The Wild Magnolia Mardi Gras Indian Band – “Handa Wanda”

Video Rating: 4 / 5

May
20

Lowell George / Meters Jam 1&2/6

According to “Rock and Roll Doctor” – the biography of Lowell George, he seemed to have contributed to the Meters for their album “Rejuvenation” released in 1974….. I received an enigmatic CD-R from a good friend of mine. The disk was just entitled “Lowell George & The Meters Jam” on the face, which conatined 6 short tracks – 20m12s in total. Their sound quality was not good, but sounded intersting to me. So I asked the friend if Lowell actually played something in those jams with the Meters. He replied “I’m not sure” to me. This is a reason why I start to seed this stuff…..and this is it. I need your help, my friend. What’s this? ☆Chiidang’s BLOG : vivavynal.cocolog-nifty.com ☆Twitter : twitter.com

May
20

The Kid Improvs Tipitina

Now Matthew teaches lessons online through SKYPE! see www.boogiewoogiekid.com for details. Matthew Ball plays Tipitina @ home December ’07 – Join the boogie woogie kid fan page on Facebook!

May
19

Ringo Starr – First All Starr Band – Iko Iko (Dr John)

Greek Theatre, September 3rd 1989. “Iko Iko” is a much-covered New Orleans song that tells of a parade collision between two “tribes” of Mardi Gras Indians. The song, under the original title “Jock-A-Mo”, was written in 1953 by James “Sugar Boy” Crawford in New Orleans. The story tells of a “spy boy” or “spy dog” (ie a lookout for one band of Indians) encountering the “flag boy” or guidon carrier for another band. He threatens to set the flag on fire. Crawford set phrases chanted by Mardi Gras Indians to music for the song. Crawford himself states that he has no idea what the words mean, and that he originally sang the phrase “Chock-a-mo”, but the title was misheard by Chess and Checkers Records president Leonard Chess, who misspelled it as “Jock-a-mo” for the record’s release.[1] “Jock-a-mo” was the original version of the song “Iko Iko” recorded by the Dixie Cups in 1965. Their version came about by accident. They were in a New York City studio for a recording session when they began an impromptu version of “Iko Iko”, accompanied only by drumsticks on studio ashtrays. Said Dixie Cup member Barbara Hawkins: “We were just clowning around with it during a session using drumsticks on ashtrays. We didn’t realize that Jerry and Mike had the tapes running”. Session producers Leiber and Stoller added bass and drums and released it. Following is the “Iko Iko” story, as told by Dr. John in the liner notes to his 1972 album, Dr. John’s Gumbo, in which he covers New Orleans R&B

May
19

George Porter Jr. & Snooks Eaglin – Live @ Rock N Bowl

George Porter Jr. of The Meters & Snooks Eaglin performing “Life in the Middle” at the world Famous Rock N Bowl in New Orleans, LA
Video Rating: 4 / 5

May
18

Cyndi Nguyen Candidate for City Council, District E, New Orleans, La. by (Do-WAP.com Agency)

A 10-Minute Coffee Conversation with Internet Media Outreach/Marketing Specialist and Online Social Networking Mogel W. Anthony Patton, MBA. The focus is to share experiences and understanding of key issues regarding the vote2010 initiatives Mr. Patton is heading up for his firm The Do-WAP Agency, LLC. The Do-WAP Agency Specializes in online community outreach to general market and diverse and/or Niche campaigns for private and public sector internet and traditional outreach campaigns. www.Do-wap.com /1920 Magazine Street, NOLA 70130/ 504-309-9287.

May
18

Dr Michael White at Sleepless Night

The Dr Michael White Quartet brings a bit of New Orleans to South Beach during Miami Beach’s second annual “Sleepless Night” festivities, free shows all night long, Nov 7-8, 2009. Dr White’s was one of three groups presented by KCC Productions.

May
18

The Human Investor Part II

The Human Investor Part II

Article by Jules R. Bryson
























Emile Gouiran was only getting started as a benefactor. He applied to charity the modus of his professional forte; fixing what wasn’t working, putting a shine on what others had neglected, sometimes even to the point of heroic rescue as with a number of nearly shut down orphan facilities which he caused to be restored or kept open by his relentless intervention. He renovated educational facilities, built dazzling new orphanages, super funded educational endowments for underprivileged children, and even set up a legal defense fund endowment to pay the cost of defending them. Emile believed that children brought up as he was, in orphanages, welfare and juvenile facilities were, as he, more prone to getting in trouble. Interestingly, he called the legal defense fund The Vindication Fund. Among its stated purposes were to right the injustice of overzealous prosecutors, and counter the abuses of corruption at the judicial and political level, and to brake the prosecutorial abuses of trials by the press. Many a young man and woman have found their refuge and salvation from such abuses through this philanthropy.

Emile Gouiran was born in Washington DC of an Argentinean mother and French father. The parents had met in Argentina. The father a then well known scholar, professor, author and philosopher (complete with libraries named after him) ultimately married Emile’s mother in 1949 after Emile was born. He omitted the process of divorcing his wife and a mention of his then four, later five other children. With Emile he fathered six. The acorn does not fall far from the tree as history will tell.

Emile Gouiran was obviously sourced from brains. His father paled with the likes of Jean Paul Sartre and André Gide. His mother now 88 was a rapacious student and intellectual; her academic baggage includes three doctorate degrees. Interestingly, his mother took the Hippocratic Oath to the letter, a medical doctor her fee schedule was whatever the patient could afford if anything. She was also the source of what would become Emile’s steadfast opposition to abusive police and judicial power. She acts out what she professes and took the heat for him in a case involving prosecutorial inabilities to get to the son. The prosecutorial strategy to get to the son through the mother failed and she managed to successfully acquire credible and incontrovertible evidence of political and judicial corruption. This she did, but the cost was dear: the truth was twisted by prosecutorial despair to frame a charge of perjury and she lost her license to practice medicine to the vociferous chagrin of thousands of her patients. She has written a three volume book exposing the local system and the individuals including prosecutors, judges, and investigators, with overwhelming credible proof and recordings in support. The book and its documentary and recorded support is sequestered with limited access reserved to an undisclosed global publisher and these documents and texts will be released after her death as will the upper six figure fee and subsequent royalties which will be gifted to an endowment to promote the interest of underprivileged children seeking a medical arts education.

Emile’s talent’s in business undoubtedly were drawn from his great-grandfather on his mother’s side; a land baron owning untold millions of acres in Argentina he gave life to the city of Cordoba. Manuel Garcia had an insatiable appetite for land. He eventually presented the Argentinean government with a generous offer; he would donate the land needed for a military air-base as a gesture of his patriotism. The offer was accepted, and in came water, sewers, electric, gas and even roadways. He promptly subdivided the remaining hundreds of thousands of acres into buildable lots and the city of Cordoba was born and built, and with it his formidable fortune. His descendants were numerous however.

Emile Gouiran has an appetite for everything and a fear of nothing. He has chosen to devote a large part of his time and legendary generosity to the next generations of global orphans. He enjoys doing as many things as he does because with that lies the ever present possibility of learning something new.

An unreserved protector of the arts, Emile Gouiran rallied his moneyed friends, and together they gathered some of the world’s literary works and treasures and used them as an expedient to establish, resuscitate and reinvigorate the study of literature from kindergarten through professorial tenure in every country in which the Donemiran and Davalaven Foundations actively support children. He did all this with a “deeply rooted entrepreneurial creativity” that could see the seeds of great projects in tentative, unformed ideas and could bring them to fruition not only through his own money and effort but also by finding innovative ways to mobilize the talents, energy, enthusiasm, and resources of others. Orleans, a city some 45 km south of Paris had been Emile Gouiran’s backyard from the age of 18 months when he was on the authorities’ request placed in an orphanage there until he was a boy. In the 1950s, his closest thing to attention and an interface with the outside world was the occasional visits of American soldiers stationed at the US base in Orléans. They would come to donate military food, second hand toys left by departing military families, and some to play with the children. He learned his first word of English, the number 8 which he could not pronounce – it simply came out “arrrrr”. He was 3.

As a child, he took to walking alone, he would walk for hours. Always an outsider vexed by his circumstances he never really quite fit in. He never was exposed to team sports or activities. Yet in competition he was ferocious, he mastered and competed vigorously in the art of Taekwondo, for years, rain, shine, or snow. In 1968, Gouiran left the Marine Corps and immediately started his first business, he soon ran a very successful repossession and collection agency ensuring credit recoveries for the likes of Sears, WT Grant, EJ Korvettes, A&S to name but a few. A year later he was buying real estate and opening a real estate brokerage agency “because the real estate agents wouldn’t take me seriously and I couldn’t get enough to buy.” He explained. These were the Lindsay years, that mayor had already altered New York into a case study on how not to run a city. Lindsay, the archetypal 1960s luxuriously chauffeured noninterventionist, had churned every idiotic design of the time into rules and law. Welfare was marketed to “Come-and-Get-It” and more than doubled in the name of communal interest; the public parks and facilities were trampled with callous disregard invaded by hordes of musical destruction. This was the era of permissiveness; “victimless” crimes should not be reprimanded. Expressions of mind and art such as graffiti were not vandalism, doing drugs was creative fuel and dealers mere retailers. Public urination, they do it in Paris, and public drunkenness is a state of irreproachable being. The defacements and despoilments of public places were a cost of liberal expression. New Yorkers had accepted parks filled with filth and the stench of organic waste. The muttering and tousled deinstitutionalized madmen were landscape artifact as were the tough, hostile stares of the resident muggers and drug dealers. These conditions were as unsafe as they were unsightly.

Most troublesome for Emile Gouiran, was that children had become commodities, useful to increase welfare checks, rental payments and other support benefits, it was a business. Welfare homes, juvenile institutions, orphanages, halfway houses, foster homes were dumping grounds for thousands of once born, unwanted progeny of unidentifiable but assuredly living parents. Unlike most New Yorkers, Emile would not stand for this. And so, he went about to see what he could do. He also reasoned that if the most successful country in the world could score so bad, that the rest of the world’s children must be worse off.

He sponsored a study showing how private money, a private Board, and modern management could rescue the state of misfortune surrounding innocent children in inapt facilities. He, in cooperation with wealthy friends set up the Davalaven and later Donemiran Foundations to begin turning the study into reality. “By then a new man was mayor,” Gouiran recalled dryly. “Abe Beam was from Brooklyn. He had no use for children, orphanages and other juvenile facilities.” For four years, Gouiran felt he was spinning his wheels. “I made virtually no advancement, the mayor wouldn’t hear of it.” The Foundations self-funded a number of facilities, equipment, and even payrolls for establishments laboring under demoralizing and inefficient workforce, but the Foundation’s main accomplishment was merely to hang in there. “Here’s what I learned from this,” Gouiran says: “If you have an excellent inspiration, it’s going to happen, in spite of yourself and no matter how bad you turn it.” Emile Gouiran’s passion about his work and projects is universally known yet many in his entourage have voiced suspicion that one of the secrets of his success is that “he does not sleep”. His secret however seems more related to his ability to concentrate 100 per cent on anything he does. He channels his energy into everything he undertakes and is always first to arrive and the last to leave.

About the Author

Jules R. Bryson is a respected author, biographer and researcher who lives and works in England.












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May
18

Two years later: the oil is still here and so are we

Hold BP Accountable & Take action at healthygulf.org Two years ago the BP drilling disaster began, killing 11 workers and threatening an ecosystem and the unique communities which rely upon it. Musicians, GRN supporters and community members are reminding you that BP’s oil is still affecting the people and places of the Gulf. Despite this fact, neither BP nor DC have taken adequate steps to protect or restore this precious natural resource. Shot at and around Voodoo Experience 2011 by Greenhouse Collective. See their work at http Thanks to Portugal. the Man, Dr. John, Ani Difranco, Scott Fujita, Fishbone, Blind Pilot, Bonerama, King Britt, Honey Island Swamp Band, Zack Smith, Fleur De Tease, Stanton Moore, Sheepdogs, Danny Phillips, John Taylor, Rosina Phillippe, John Michael Rouchel, Helen Gillet, Clint Maedgen, and all who took part.
Video Rating: 4 / 5

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